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My Dad has this old joke that
goes, "What's the most important thing about
humor?" After a short pause, he interjects,
"TIMING!"
I've rolled my eyes many a
time over this joke.
But here's a new version
for writers: "What's the most important thing about
writing funny? ...... WORDING!"
Whether you're talking
about stand-up comedy or humorous writing, surprise is one
of the biggest elements of laughter. (Yes, Dad, I know,
"Surprise" is what your little timing-joke is
really all about.)
Readers become accustomed
to seeing things written a certain way. As a writer, you
have a choice: give it to them they way they expect, or
surprise them with something different.
Here's an example:
In my article "Does
Target Shun Veterans?" I say that Internet Urban
Legends are "stories that scare readers into
believing such things as rat urine contaminating the tops
of their canned peaches, and so forth." I could have
just as easily written, "Internet Urban Legends are
stories that scare readers into believing the tops of
their canned food is dirty." But that wouldn't
surprise anyone, and it would have made my piece just
another bland "news story."
I also shook up the
sentence about Internet Urban Legends by including some
humorous exaggerations. Simply writing "canned
food" isn't nearly as funny as being super specific
and writing, "canned peaches," and being
"dirty" is far more typical than having
"rat urine" on your lid.
The idea of being very
specific is what comedian (and my hero) Jerry Seinfeld has
built his entire career on. He doesn't just talk about
flying on an airplane, he mentions everything from the
really small bag of peanuts to the pilot announcing the
flight play-by-play. As an audience, we laugh at these
things because it's something we've experienced but never
given much thought to. Who else but Seinfeld could have an
entire 30-minute television show about toxic glue on
envelopes?
Drawing attention to things
that are common to all but seldom discussed makes people
chuckle. This is mostly due to their slight embarrassment
when they realize "wow, I do that," but it's
also because for the first time they are paying attention
to something they might not have otherwise.
But aside from timing,
exaggerations and calling attention to life's quirks,
sentence structure may be the ultimate weapon for writing
humor. Just as a lyricist times his verses to a beat,
writers need an internal rhythm to make their work
conversational and surprising. There is quite a difference
between writing a factual news piece and composing a
humorous essay, but the biggest difference is sentence
structure. Cut-and-dry news pieces need to follow a
formula so that the content doesn't get lost. When writing
a narrative or essay, however, you can play with pauses
(dashes, colons, etc.), italics and words to create a
feeling and rhythm.
Follow these hints and your
writing will be surprising and funny....AND have great
timing.
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About
The Author
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may reprint the above column on your
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THIS MUST
BE INCLUDED: Copyright 2004 Sarah Smiley http://www.SarahSmiley.com
- Sarah Smiley's syndicated column Shore
Duty appears weekly in newspapers across
the country.
sarah@sarahsmiley.com |
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